Michelangelo's Bible

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One of the most iconic images of western art is Michelangelo's "creation of man" in the Sistine chapel. You know the one -- a stirring painting depicting an impressive old man God reaching from the clouds to touch the outstretched hand of a young Adam. But just what, exactly, is that image based on? Genesis tells the creation of human beings in two places -- the first chapter, in which an invisible God creates humankind, male and female, in God's image; and the second chapter, in which an anthropomorphic God fashions a human out of humus and breathes life into this creature. It is endlesslessly fascinating to me how biblical texts are interpreted and reinterpreted, sometimes uncovering hints or suggestions embedded in the rich layers of biblical texts and sometimes adding layers to the layers that are already there. This is the Bible as living text. And interpretation at the hand of creative masters in their medium of choice is intriguing delight. The Vatican Museum in collaboration with the Italian Il Sole 24Ore is publishing a series of four volumes called "The Painted Word" that discusses the ways that artists interpreted the Bible in the visual feast that is the Sistine Chapel. Mom, Dad: great gift idea, but in English, please.

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What makes you think that the god from Genesis 1 is invisible? If anything, the very fact that he creates humankind in his image (that is to say, he creates, and in his image) should be enough to suggest that he is not. I think that, if anything, you are heir to the same amount of hermeneutical presuppositions as was Michelangelo.

Not that I resent this, of course. It is inescapable.

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This page contains a single entry by Kristin Swenson published on November 19, 2009 10:52 AM.

Yet Another Bible on the Block was the previous entry in this blog.

Bourbon St. Meets the Bible is the next entry in this blog.

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