Recently in Reader Questions Category


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I'm just back from a couple weeks in LA, hanging with some of my magazine friends. Cruising through Malibu, walks on Santa Monica beach, shopping in Beverly Hills, and lunch on Sunset Blvd. 


Ahh, LA, you've got it all: a warm breeze, a coastline kissed by waves, fast cars and beautiful girls, and vast stretches of desert just over the next hill. That's a place I could spend a lot of time in...


But hey, there's work to do, and I know you folks are itching for more blogs. I'm on it. In the meantime, let's look at another reader question...



Ben from Venice Beach wants to know:


What is the major attraction for you when it comes to travel? 


I think it would have to be that burning curiosity. To see things for myself, to catch a glimpse of how people live in strange places, how they see the world, to discover what that splotch on the map really looks and smells like up close. The more obscure the place, the more I seem to be interested in it. Kira Salak put it well when she said: "[I travel] to see what cannot be imagined, to be taken into my dreams."


Travel is also a sort of compulsion. Whether I like it or not, that urge builds and builds until it's impossible to resist picking up the pack and starting again. It's in the blood, I guess.




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Clive J. from the UK asked:


What do you know as a result of travel the rest of us don't?



I think the most important lessons are things we forget in the day to day, not things we don't know. 


When you're cut off out there on the road, the everyday frivolity of life at home - office politics, the rat race, "noble" ambitions, catching every episode of some stupid TV series - it all falls away until you're left with that pure, radiant core. You come to realize very quickly what is truly important to you. Traveling light, with all your necessities boiled down to what fits into your bag, you also realize what little you need to survive and what little you need to be happy. 


The road also teaches you to understand social networks and the way in which images and personas are shaped. You see the larger perspective, or the omniscient view perhaps, because you exist outside of the social structure of the places you're traveling through, and as such you aren't governed by their rules of conduct. You can act in a place without being a part of it. You're treated in a manner that doesn't reflect your past, your background, your accomplishments or your social status, a manner that only reflects the "you" that you present at that moment. It's incredibly revealing.


As for added knowledge, travel does give you a perspective on the wider world. It seems obvious to say it, but you realize that your philosophy and the philosophy and moral code of your culture doesn't apply everywhere else. People live differently and they get along just fine. The harshest culture shock is the one you experience on returning home. It causes you to question everything and to reject some of what you'd always taken for granted, foundational beliefs of your culture and your society. You come to realize what shaky intellectual ground we are all actually standing on.



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I'm just back from a short job in Glynco, GA, followed by a few days of filming in Florida. It was a steamy week of early morning / late afternoon shoots and midday business meetings on the beach. We were scorched by the sands, gouged by the shells, plagued by mosquitos and swarmed by biting ants. And that was just the first day...


But I've returned to my desk and I'm ready to entertain you.


We'll get back to travel stories soon. I've also got some cool new books to tell you about, both classics and new stuff, and some great music to shove in your ipod for the road.


In the meantime, reader questions continue to flow in. Let's have a look at one more as I unpack from the latest trip and figure out where I left my pen...



Dave O. from America asked:


What was your most memorable experience?



There are so many. Each trip is special, and each offers its own unique memories that are cherished separately and cannot be ranked or compared. 


That being said, there are a few special moments I think about often.



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Traveling on a Nicaraguan freighter from the coastal town of Bluefields to the Corn Islands. 


Beyond the sheltering hills of Bluefields Bay, the morning sun wrapped us in golden warmth. A gentle salt breeze ruffled our sun-bleached hair. The sea was the colour of so many picture postcards: a blue so pure you'd think it was faked. To aft, beyond our foaming wake, the broad reach of the endless tangled shoreline was gradually revealed with every chug and twist of the prop. The emerald jungle of the Mosquito Coast stretched to the horizon, promising more of the same for as far as we could imagine.


I rolled over and lay on a woodpile, my elbows and chin on the ship's rounded rail, looking straight down over the bow. The boat rose and fell with hypnotic repetitiveness over broad rolling waves. With each downward slide the prow cleaved the sea and spray crashed up, dusting my face with a gentle salt-smelling mist. The rhythm was all-absorbing... Ksssh... Ksssh... Kssssssh... and I was drawn into its spell.


Looking back, it's possibly the only time in my life I've felt complete and utter happiness--and been fully conscious of it. At that moment our world felt absolutely limitless, full of possibility.



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Mongolia, the south Gobi desert. We'd been wandering through a remote region for the past week by jeep. We'd gotten lost, and our driver decided to take a two-day short cut across a treacherous untraveled expanse to meet up with another route east. 


We camped that night in a rocky hollow. We'd eaten the last of our food, and we had only enough water for morning coffee. I pitched my tent a short walk away from my companions, and I lay half out of the door facing up. The desert air was unmarred by moisture and free of ambient light - and there wasn't another soul for hundreds of miles. The Milky Way cut a gauzy swath across the deep black background, and cold stars sparkled in layer upon layer, fading out eons beyond antediluvian time. In all my life I've never seen such a sky. The brightness of the full moon woke me at 3am. I thought it was dawn. 


My Mongolia represents freedom, wandering, and self-contained sufficiency. When asked where you're going, the only possible answer is to gesture toward the distant horizon and say, "Over there." 


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Island hopping along Croatia's Adriatic Coast. I was traveling self-contained with a car and a tent, sleeping where night found me and swimming as I pleased. 


On the shore of stony islands, the sun dried salt to a thin powdery crust on my skin. I sat under olive trees, eating a rustic lunch of bread, hard cheese, and coarse local wine drunk straight from the bottle. My backdrop was the bleached bony spine of the mainland that towers over the islands and the sea, and in the distance the slow clonk of sheep bells.


I learned on that trip that I'm drawn to the landscape and culture of the Mediterranean by some strange form of magnetism. The writer Lawrence Durrell would have called it the "spirit of place." It felt like going home.





 


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Jenny from Sydney, Australia asked:


How did you become interested in writing?



I wonder sometimes what came first, the stories or the intention to write them? 


I think, in a sense, I've always lived posthumously. Even when I really got myself into trouble as a kid, part of me knew that the incident I was caught up in would make a great story and that I had to go through with it. 


I was always able to take a view of myself from above looking down on the scene, and I could laugh at the ridiculousness of it all. I could see the comedy of it in the third person. 


I didn't want to be one of those people who toes the line, who never breaks a rule, and who therefore grows old without having any stories to tell. Stories were always important to me.


I also think that one of my great motivations as a writer is a hatred or perhaps a fear of Time. A horror at the thought that all these stories will simply fade away, that once these lives are gone no one will ever remember them. I've always had a penchant for nostalgia. It's a melancholy nostalgia in a sense, but it's sadly beautiful as well. 



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I've come up with a new interactive feature that I hope you'll enjoy. Are you itching to find out about the exotic world of travel writing, desperate for hot hints on destinations and money saving travel tips, or just bored and looking for a monkey to prod with a stick? Well now's your chance...


I call it "Reader's Questions." Okay, yeah, that's pretty lame. But if I called it ober dictum you wouldn't know what the hell I was talking about.


Anyway.... it's a fun and occasionally insightful new feature that we'll slot in from time to time between travel stories.


If you've got a pressing question you'd like to ask, please post it to the comments, contact me by email through my website, or get it to me via Facebook or Twitter. I'll answer your most interesting questions right here on the blog.


We'll get the ball rolling with a whiff of danger...


 

Jill from Ontario, Canada asked: 


Do you enjoy risk-taking? What was your most frightening experience? 



I did jump out of airplanes a few times when I was 18  -- my first three times in a plane, actually -- but I'm not motivated by the pursuit of adrenalin sports. I'm not averse to risk, but I don't need it to get a rush either. It's not danger that attracts me but life.


Most things that seem frightening really aren't so in the moment. When things happen they happen fast, and you have no choice but to take action, to shift immediately into solution mode. 


For example, my first time in a plane I jumped out with a parachute. When it opened the chute was all twisted up, one of three problems short of catastrophic failure that they'd told us about in the very brief ground school I attended the day before. I never thought about it at all, about the ground rushing up or the speed of my descent. I simply took note of the problem and immediately began to untangle it. We'd been trained, I'd gone over and over it, and it was time to act.


It's tough to think of a time when I was truly and completely frightened in the moment. I suppose that, just as the most challenging aspects of travel for me are the mental ones, the fearful aspects are as well. 


In that regard, the most frightening experience I can think of offhand was my arrival in Panama City. It was my first time alone on the road, and I'd purchased a one-way ticket into Panama and out of Belize so I'd have no way to cut the journey short. That first night, sitting there completely alone in a tiny hotel room, in a place where I didn't speak the language, with the street noise - loud engines, shouting people, what sounded like gunshots - coming in through the window, I realized I'd gotten in over my head. Never in my life had I felt so alone, and I didn't know how I'd make it through. All I could see were the months and months that stretched ahead. It was all a blank. Total uncertainty. 


Think about what that means. Our lives are composed of routines we take for granted - work times, school times, TV shows, regular meals, brushing one's teeth... These comforting routines lend shape to our lives. They give us some sort of structured reality, and they connect us to the lives of those around us. I'd severed all that in a single stroke. I had no idea what the next day would hold, or even the next hour. And it completely terrified me. Of course that turmoil passed with the light of dawn, but it was a long, long night.


In hindsight this was all just a part of learning to let go. And I think that's one of the greatest lessons of travel. Learning to accept things as they are. Not imposing your own pre-conceived agenda on a situation you can't control. Knowing when to sit back and wait, and when to follow those paths that the Road will show you if only you're patient enough to listen.


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This page is a archive of recent entries in the Reader Questions category.

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